~ethnic relation project~

Hope all of you enjoy watching our video~

Feedback From Questionnaire

A-Create cooperation with other sectors to improve the quality of local product
B-Create conducive environment to encourage growth in the agricultural sector
C-Preserving use of natural resources







A-Imbalances in domestic production because agricultural production is not consistent.
B-Majority frozen substance food processing industries are imported.
C-People in Malaysia are not interested to promote national product on the global sate
D-as a step towards a new frontier




A-to improve productivity and competitiveness.
B-to preserve and utilize natural resources on an ongoing basis
C-to deepen linkages with other sectors
D-to improve productivity and competitiveness., to deepen linkages with other sectors., to preserve and utilize natural resources on an ongoing basis.
E-as a step towards a new frontier

~YaSmIN AhMaD in MeMory~ (Individual Presentation)

13th may- REMEMBER YESTERDAY....

ViDeO fAsAl dAsAr EkOnOmI bArU....

~..~individual presentation time~..~ (~_~) ~gReAt LEgeNd in ARt~

"Karya seni adalah satu daripada kerja Tuhan.

Oleh itu, buatlah sungguh-sungguh dengan penuh kejujuran."

"Art is a work of God. Do it with upmost sincerity"

"Membuat filem haruslah dari 'idea' dan 'feeling'."

"Making film must be from idea and feeling"

"Sesuatu yang kita nak cari atau hasilkan bukan mesti apa sahaja yang terlintas terus kita tulis. Kita harus cari dan berfikir sehingga dapat sesuatu yang baru dan luar biasa."

"Whatever we looking for or create is not necessary anything that comes to mind that we write. We must search and think hard for something new and unique."

"Muzik adalah nadi sesebuah filem."

"Music is the heart of a film."

"Dalam studio mata yang melihat kamu berlakon hanya beberapa kerat, tetapi filem ini akan ditonton oleh beribu mata yang akan menilai lakonan kamu.

Oleh itu berlakon bukan satu perkara yang main-main atau asal boleh."

"In studio only a few eyes are watching you, but the film would be seen by thousand eyes who would judge your acting. Therefore, acting is no fooling around or mediocrity"

"Bila menulis cerita, kamu kena bayangkan siapa bakal pelakon yang boleh memegang watak yang ingin diadakan itu. Bila sudah nampak dalam kepala, baru dapat habiskan cerita ini berdasarkan orang yang akan pegang peranan itu."

"When writing a story, visualise in your mind which actor would able to play the character you make. After you seen in your head, you could complete the story based on the person playing that character."

"Sebarang mesej atau nilai-nilai moral yang baik harus diselitkan secara tidak dipaksa dan kita perlu peka dengan motif yang nak disampaikan. Dialog yang akan disampaikan oleh pelakon tidak perlu berjela-jela, harus tepat dan mudah."

"Whatever message and moral values which are good must be injected without force, and we have to be careful of the intended motive. Dialogs given by the actor need not be long winded, must be direct and simple."

TAN SRI P.RAMLEE

Name: Teuku Zakaria Teuku Nyak Puteh @ Ramli Puteh

Known as: P Ramlee (since 1947)

Nationality: Malaysian

Birthplace: Grandmother's house at 40A Counter Hall *, Penang, Malaya
(* Renamed Jalan P Ramlee on 30 Aug 1983)

Date of birth: Morning of Idil Fitri on 22 March 1929 (Wednesday)

Father: Teuku Nyak Puteh Teuku Karim (1902 - 1955)

Mother: Che Mah Hussein (1904 - 1967)

Sibling: Sheikh Ali Mohamad (Step brother. Mother was Che Mah Hussein.)

Spouse:
Junaidah Daeng Harris (Married 1950. Divorced 1954.)
Noorizan Mohd Noor (Married on 6 Feb 1955. Divorced 1961.)
Salmah Ismail a.k.a. Saloma (Married on 21 Nov 1961.)

Children:
Mohamad Nasir (Son. Born 1953. Mother was Junaidah.)
Arfan (Son. Born 1954. Mother was Junaidah.)
Sazali (Son. Born 1958.)
Armali bin Aman Ramlie a.k.a. A R Tompel (Step son. Born 1953. Mother was Saloma.)
Safarina bte Mum @ Dian P Ramlee (Adopted daughter of Saloma. Chinese parentage.)
Zakiah bte Ahmad Rejab @ Zazaloma (Adopted daughter. Born 1963.)
Sabarudin bin Ramlee @ Badin (Abdopted son. Born 1966.)

Education:
Kampung Jawa Malay School
Francis Light English School (1939 - 1941)
Japanese Navy School 'Kaigun Gakko' (World War II)
Penang Free School (1945 - 1947)

Profession: Actor, singer, comedian, songwriter, screenwriter and film director.

390 songs: as singer, songwriter and/or composer.

66 films: as actor, singer, screenwriter and/or film director.

Stageplays:
'Jiwa Putera Melayu' (1956) as director.
'Sultan Mahmood Mangkat Di Julang' (1959) as writer and director.
'Damaq' (1962) as director.
'Sam Pek Ang Tai' (1972) as actor and director.

Radio dramas:
'Jiwa Putera Melayu' (1955) as producer.
'Kachep Mas' (1961) as writer and director.

Television dramas:
'Intan' (1971) as actor, singer and composer.
'Rantau Selamat' (1972) as actor, singer and composer.

Career Highlights: Travelled to Singapore on Idil Fitri to audition for Malay Film Productions of Jalan Ampas (8 Aug 1948).

Moved to Kuala Lumpur to join Merdeka Film Productions of Ulu Klang (16 Apr 1964).

Awards: Various awards throughout career.

Music Group:
'Nada Minggu' in Penang, Malaya
'Orkes Mutiara' in Penang, Malaya (1946)
'Pancharagam Rangkaian Melati' in Penang, Malaya (1946)
'Pemuda Indonesia Keronchong Party' in Penang, Malaya (1946)
'Sinaran Bintang Sore' in Penang, Malaya (1946)
'Coronation Amateur Party' in Penang, Malaya (1947)
'Teruna Sekampong' in Penang, Malaya (1947)
'Pancharagam Mustika' in Penang, Malaya (1948)
'Kembang Murni Keronchong Party' in Singapore (1949)
'Orkes Malay Film Productions' in Singapore
'Pancha Sitara' in Singapore (1960)
'P Ramlee Keronchong Orkes' in Singapore (Oct 1960)
'Pancha Sitara II' in Singapore (Dec 1960)
'The Veteran' in Singapore
'Ben Puteh 5 Merdu Orchestra' in Kuala Lumpur (1970)

Film participation:
Asian Film Festivals (Hong Kong*, Jakarta, Kuala Lumpur*, Manila*, Seoul, Singapore, Taipeh* and Tokyo*)
International Film Festivals (Paris* and Berlin).
* Awards winning

Death: Died of heart attack at 5.30 a.m. on 29 May 1973 (Tuesday) at age 44.
Buried at muslim cemetary of Jalan Ampang in Kuala Lumpur.

In his own words
On censorships of Malay films

"Saya berani potong jari, kalau filem luar negara yang dimasukkan ke sini juga dikenakan larangan atau undang-undang penapisan yang sama beratnya seperti yang dikenakan terhadap filem Melayu, iaitu potong adegan cium, dipotong adegan menunjukkan peha wanita, dipotong adegan seks, perkelahian ngeri, dipotong adegan yang melanggar tata tertib dan sebagainya sama seperti filem Melayu, sudah tentu filem Melayu akan setaraf darjahnya dan sama kuat pengaruh pasarannya seperti filem yang diimport dari Hollywood, Itali, Perancis, Hong Kong, Jepun, Mesir dan di mana juga pusat yang mengeluarkan filem dalam dunia ini."

This is a task that was given by our Ethnic Relation Lecturer , Mr. Ahmad bin Ibrahim. Please kindly give your respond about all the question in the Questionnaire below. We had given two weeks to finish this task. Then we need to present the respond we had got in our class. So, what you waiting for....JUST ANSWER IT!!!...

National Agricultural Policy of Third (NAP3)

OBJECTIVES :-
• to give more information about this policy.
• to help students more clear about this policy.

Gender :








The best way to improve productivity agricultural?


Create cooperation with other sectors to improve the quality of local product

Preserving use of natural resources

Create conducive environment to encourage growth in the agricultural sector

Enhancing food security and create new sources of the agricultural sector






Total workforce in the agricultural sector decreased from 2005 to 2010


Yes

No






Contribution of quality products based on agricultural to national income and export earnings are very limited in this country.


Yes

No






If you answered yes to the question above, why do you feel this situation happen?


Majority frozen substance food processing industries are imported.

Imbalances in domestic production because agricultural production is not consistent.

People in Malaysia are not interested to promote national product on the global sate






Among the following new approach is focused by NAP3?


to improve productivity and competitiveness.

to deepen linkages with other sectors.

as a step towards a new frontier.

to preserve and utilize natural resources on an ongoing basis.






Concern for the environment both domestically and globally require a more innovative practices and efficient for the continued development of this sector.


Yes

No